Antique Cameras / Gustavo Romero
The Yashica 635 is a TLR (Twin Lens Reflex) camera made in Japan during the 1950s and 1960s. This model stands out for its dual functionality: it can shoot both medium format 120 film and 35mm film, thanks to a special adapter. This unique feature makes it a versatile camera that appeals to both beginners and experienced photographers who want to explore different formats in a single camera.
In this post, we explore its features, strengths, and weaknesses, as well as its relevance in today’s analog photography world.
Design and Construction
The Yashica 635 keeps the classic TLR design: a rectangular body with two lenses arranged vertically. Its construction is sturdy, made mainly of metal with leather coverings, which gives it durability and an attractive vintage look.
The ergonomic design includes well-placed control dials for focus, shutter speed, and aperture. It also has a waist-level viewfinder that makes composition easier, which is one of the most iconic features of this type of camera.
Optics and Image Quality
The camera is equipped with an 80mm f/3.5 Yashikor lens, which delivers solid optical performance with good sharpness and a distinctive bokeh, making it ideal for portraits and landscapes. Although the lens is not as advanced as Zeiss or other premium lenses from the same era, it produces very satisfying results, especially for people just getting started with medium format.
The upper lens for viewing and the lower lens for capturing the image are perfectly synchronized, making sure that what you see in the viewfinder is what you get on film.
Technical Features
Dual format:
120 film: Captures 6×6 cm negatives, ideal for detailed enlargements.
35mm: With the optional adapter, it allows the use of more accessible and affordable film.
Shutter speeds: Range from 1 second to 1/500 sec, plus Bulb (B), which makes it versatile in different lighting conditions.
Aperture: Range from f/3.5 to f/22, offering control over depth of field.
Manual film advance: Includes an exposure counter and a double-exposure prevention system.
Flash synchronization: Connector for syncing with external flashes.
Advantages
Format versatility: The ability to use both 35mm and 120 film makes it unique among TLR cameras.
Build quality: Strong and durable, a camera that can keep working for decades if maintained properly.
Ergonomic design: Easy to use, with intuitive controls and a large viewfinder.
Affordability: Compared to high-end TLR cameras, the Yashica 635 is usually more affordable.
Limitations
Dependence on the 35mm adapter: This accessory is hard to find on today’s market and can increase the total cost.
Limited optics: Although the Yashikor lens is good, it does not reach the quality level of premium lenses like Schneider or Zeiss.
Weight and size: Like all TLR cameras, it is not light or compact, which can make it harder to carry for casual use.
Dark viewfinder: In low-light conditions, the waist-level viewfinder can be difficult to use without extra lighting.
The Yashica 635 in Today’s Photography
In a world dominated by digital photography, the Yashica 635 offers an analog experience that encourages patience and creative focus. Its versatility in handling two film formats makes it an excellent choice for people who want to experiment without investing in multiple cameras.
However, the growing popularity of analog photography has made these cameras more sought after, which has raised their price on the secondhand market. Even so, it is still a more affordable option than many high-end TLR cameras, such as the Rolleiflex.
Conclusion
The Yashica 635 is a unique camera that combines the classic beauty of TLRs with versatile functionality thanks to its compatibility with both 120 and 35mm formats. While it is not perfect, it offers a rich and rewarding experience for any lover of analog photography. If you have the chance to get one in good condition, it is an investment you will likely enjoy, both for its performance and for its historical and aesthetic value.